Holography in the visual arts practice: research and production

Maria Isabel Azevedo

doi:10.1117/12.2582759

5 March 2021 Holography in the visual arts practice: research and production

Maria Isabel Azevedo

Author Affiliations +

Proceedings Volume 11710, Practical Holography XXXV: Displays, Materials, and Applications; 117100D (2021) https://doi.org/10.1117/12.2582759
Event: SPIE OPTO, 2021, Online Only

Abstract

My research has been about the aesthetics of light, as an entity in itself, and how the viewer interacts with it; holography is one of the media that I have used in this process. For example, in "Specific Light Objects" installation, the viewer is allowed to immerse itself in an experience where visual and sound sensations are intermingled in the exploration of the holographic image, and invite the self-knowledge of the relativity of our perception and consequently of the vision of our cognitive universe. The dialogue of holography with other media is adequate to the demands of contemporary art, in the form of multimedia hybrids, and in the form of installations, in which the holographic work constitutes one more element of the whole. Developments in production techniques of pulsed holograms and holographic stereograms have combined to provide high-quality three-dimensional illusions and movement. Currently considering the new era of holographic image and the creation of digital holograms, where image systems are being developed to capture dimensional content and also possible software to edit it, in this paper we are analysing the creative process and experimental techniques of holographic image from the point of view of the visual arts.

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Maria Isabel Azevedo "Holography in the visual arts practice: research and production", Proc. SPIE 11710, Practical Holography XXXV: Displays, Materials, and Applications, 117100D (5 March 2021); https://doi.org/10.1117/12.2582759

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